The starting point of the workshop is the materiality of the body and of objects that surrounds it. Objects and their agencies have been for more than two decades the center of my work and research. To fulfil this profound curiosity I developed various practice that I will share (see other entries). Mainly it aims at developing performative and somatic understanding that enable the performers and eventually audience to become sensitive to the network their bodies is performing in, including non human agent, the materiality of the other bodies and the dreams that crosses them.

There are two main parts in any of the workshop:

The first aims at setting the frame for the group to experience the work, finding safety with each other and clarity about the intentions in the practice. Focusing on how we percieve through our senses, finding ease and pleasure in varioius practices.

The second part is focusing on engagement, exposure and risk taking. The aim is to practice being in a place of a little un-comfort, within the relative safety of the workshop, in order to experiment with the high risk dimension of being a dancer, exposing our work and intimate ideas.